After touring for two years with Le Loup, guitarist May Tabol returned home to launch a new project with a close group of friends converging in the DC arts scene. Now playing as a four-piece, Pree combines a wide variety of folk instrumentation with electric and digital elements to create a unique sound brimming with layered melodies and contagious energy.
Folly was written and recorded over the course of several heat waves and snow storms by May and her cohorts in a rotating cast of bedrooms, basements, and attics across the District, bearing witness to two foreclosures, a bit of squatting, a larger bit of eviction, and a subsequent life shuffle that would rival that of a wind-addled gypsy moth. The patchwork, guerilla style of recording which grew out of necessity ultimately served to instill a sense of tension throughout the record, leaving one hanging on despite the imminence of something so delicate falling apart.
“There’s something homey about local art-folk-pop group Pree. That’s
mostly due to singer May Tabol’s voice, a shaky and excitable chirp that’s
also very inviting. The band employs plenty of arrangements...but never
overdoes things to the point of distraction.“
— The Washington Post