ARMS press photo


“I was exhausted,” says Todd Goldstein, reflecting on the years since the release of his band ARMS’ lush, ambitious 2011 album, Summer Skills. “I put everything I had into that album—creatively, emotionally—I had nothing left in me.” After spending his mid-20s playing guitar in New York’s much-loved Harlem Shakes and the ensuing years crafting two albums and an EP as ARMS, Todd took a sharp turn away from music. He went back to school to study design; he spent long afternoons throwing down in the kitchen; he looked elsewhere to find his creative kicks. Eventually though, he remembered why he can’t help but write songs. ARMS’ EP2 is the proof.

The product of a long, slow collaboration with drummer Tlacael Esparza, EP2 feels both urgent and relaxed, its five home-recorded pop songs projecting a lived-in looseness without sacrificing an ounce of tension. “Comfort,” the EP’s opening track, seems at first to be about music—or a girl. But, unlike most love songs that pull this double duty, the message of “Comfort” is unexpected: Neither one is a prescription for the ailments of real life. “Sleepwalker” plays like an insomniac’s wake-up call, dressing a careening rhythm in melancholic guitar figures and peals of glowing distortion, while “Up & Up” is the late-night ripper, an album closing comedown that refuses to land. EP2 is the sound of a kid with a worried mind—a frequent character in Todd’s musical universe—learning to let go at last. It only seems right that ARMS’ leanest, most immediate record would finally arrive after leaving it all behind.

ARMS is Todd Goldstein and Tlacael Esparza. ARMS has shared the stage with Passion Pit, Walkmen, Beach House, White Rabbits, The Long Winters, A Place to Bury Strangers, Japandroids, Hospitality, Caveman, Asobi Seksu, and more


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  • ...a track I'm playing on unholy repeat right now is Heat & Hot Water. It is a head-bending, hip-swinging dark mistress of a thing and Todd Goldstein also has some of the most incredible lyrics I've heard this year.

    — Gary Lightbody, Snow Patrol

  • And by topping off his deeply personal- you could even call them melancholic- lyrics with catchy melodies, Goldstein proved that singing about love (even if it's lost) doesn't always have to be sad.

    — NYLON

  • exuberant effort with masterful musicianship and clever, knotty lyrics

    — AV Club

  • ARMS is decidedly moodier, sulking and soaring in reverb-soaked bursts, like Grizzly Bear covering late-'80s Cure, or Phosphorescent trading Johnny Cash's black for Peter Murphy's Bauhaus black.

    — The Village Voice

  • the rest of his hazy, bedroom-music album portrays vivid confrontations with fire and the foreboding, adding an element of danger to this sonic depiction of his subconsciousness.

    — Paste Magazine

  • ARMS and her mastermind Todd Goldstein continue their near-spotless string of releases with the upcoming and aptly titled EP2, one that further encases in cement the band’s status as New York’s most underrated band.

    — I Guess I'm Floating

  • In an indie-rock world saturated with bands struggling to differentiate themselves, ARMS prove that inventive songwriting and a catchy chorus will always set itself apart.

    — The 405